1905/6 = Fauvism - Monet^a, V. Gogh^b, Gauguin^c, Munch^d, Cusa

Colour in late exp impressionism (Monet^f) and Nolde^g. Ecstasy under refinement

Mythical depth of nature. Then the mythical material itself

Ecstasy against individualisation. Colour and vision

Maria Agyptiacaⁱ (whore and saint)

Art of the Primitives as means

[Paula Modersohn^j - Worpswede]

[Christian Rohlfs^k] [Church-Window-similarity]

Kirchner^l, Heckel^m, Schmidt-Rottlufⁿ: The "Bridge" / African influence

Graphic tendency + bright colour. Contour. Threedimensional by planes

Restlessness / Red and yellow / nothing beautifying

Heckel^o: Splitting up of surface. / Fight between picture form and expression. Hieroglyphs of eroticism. Hallucinatory

Anti-reproductive picture Encounter

Barlach^p, power of the mythical, a world of pilgrims created by himself (Southern Russia)

round pi blocks. Longing for miracles, begging. Archaism

The blue Rider and Pechstein^r. (conventional and successful)

Beckmann^s. Heroic dreams, big format. Experience of war. Considering wild presence