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                <title type="sub">Religion and Culture Project</title>
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                    <persName key="https://d-nb.info/gnd/130017086">Christian Danz</persName>
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                    <name>FWF - Der Wissenschaftsfonds</name>
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                        <postCode>1090 Wien</postCode>
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                    <resp>Transkription und Annotation</resp>
                    <persName key="https://orcid.org/0009-0006-7356-6162">JJ Warren</persName>
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                    <resp>Transkription und Annotation</resp>
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               <lb facs="#facs_1_l" n="N001"/><hi style="text-decoration: underline;">1</hi>
               <lb facs="#facs_1_l_1" n="N002"/><hi style="text-decoration: underline;">The three <rs type="keyword" ref="#Arts">artistic</rs> functions</hi>
               <lb facs="#facs_1_l_2" n="N003"/>1. The cognitive function. Discussions between
               <lb facs="#facs_1_l_3" n="N004"/>philosophers. "Cognitive" an ambiguous word. <rs type="keyword" ref="#Arts">Art</rs> <hi style="text-decoration: underline;">is</hi>
               <lb facs="#facs_1_l_4" n="N005"/>cognitive if this word means <hi style="text-decoration: underline;">the discovery of a</hi>
               <lb facs="#facs_1_l_5" n="N006"/><hi style="text-decoration: underline;">new {le} dimension of reality.</hi> But it cannot be
               <lb facs="#facs_1_l_6" n="N007"/>[connotation and denotation]
               <lb facs="#facs_1_l_7" n="N008"/>translated into <hi style="text-decoration: underline;">methodological cognition </hi>(pictures, words
               <lb facs="#facs_1_l_8" n="N009"/>have a definite content) [<rs type="keyword" ref="#Naturalism"><hi style="text-decoration: underline;">Naturalism</hi></rs> as the exclusive em-
               <lb facs="#facs_1_l_9" n="N010"/>{2. The anticipatory function} phasis on <hi style="text-decoration: underline;">this</hi> function.
               <lb facs="#facs_1_l_10" n="N011"/>2. The <hi style="text-decoration: underline;">anticipatory function</hi>. The Neo-Kantian
               <lb facs="#facs_1_l_11" n="N012"/><hi style="text-decoration: underline;">idealism</hi> in the theory of <rs type="keyword" ref="#Arts">art</rs>: The ought to be antici-
               <lb facs="#facs_1_l_12" n="N013"/>pated in <rs type="keyword" ref="#Being">being</rs>. <hi style="text-decoration: underline;">"Beauty"</hi>: Its {devaluation} deteriorisation = shallow and its
               <lb facs="#facs_1_l_13" n="N014"/>right. {- even in the most disrupted forms of nature.}
               <lb facs="#facs_1_l_14" n="N015"/>3. The <rs type="keyword" ref="#Expressionism"><hi style="text-decoration: underline;">expressive</hi></rs> function. Expressing objectively, the
               <lb facs="#facs_1_l_15" n="N016"/>meaning of the reality described, not the subjectivity of the creator, but {ab-}
               <lb facs="#facs_1_l_16" n="N017"/>{solutely} the meaning, {expressed in the style}.
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               <lb facs="#facs_2_l" n="N001"/><hi style="text-decoration: underline;">2</hi>
               <lb facs="#facs_2_l_1" n="N002"/><hi style="text-decoration: underline;"><rs type="keyword" ref="#Arts">Artistic</rs> <rs type="keyword" ref="#Symbol">Symbols</rs>.</hi>
               <lb facs="#facs_2_l_2" n="N003"/>1. A system of <rs type="keyword" ref="#Symbol">symbols</rs>, reflective, psychological,
               <lb facs="#facs_2_l_3" n="N004"/>representative. (The latter,<rs type="keyword" ref="#Language"> linguistic</rs>, <rs type="keyword" ref="#Arts">artistic</rs>, <rs type="keyword" ref="#History">historical </rs>=
               <lb facs="#facs_2_l_4" n="N005"/><rs type="keyword" ref="#Politics">political</rs>, <rs type="keyword" ref="#Religion">religious</rs>)
               <lb facs="#facs_2_l_5" n="N006"/>2. The <hi style="text-decoration: underline;">special character of <rs type="keyword" ref="#Arts">artistic</rs> <rs type="keyword" ref="#Symbol">symbols</rs></hi><rs type="keyword" ref="#Symbol"/>. {The}
               <lb facs="#facs_2_l_6" n="N007"/>{necessary rejection of symbolic art as bad art}. The re-
               <lb facs="#facs_2_l_7" n="N008"/><hi style="text-decoration: underline;">maining</hi> <rs type="keyword" ref="#Symbol">symbolic</rs> <hi style="text-decoration: underline;">character of <hi style="text-decoration: underline;">non</hi>-symbolic <rs type="keyword" ref="#Arts">art</rs>.</hi>
               <lb facs="#facs_2_l_8" n="N009"/>3. {In the realm of visual arts}. The materials
               <lb facs="#facs_2_l_9" n="N010"/>taken from the perceived world painting <hi style="text-decoration: underline;">beyond them-</hi>
               <lb facs="#facs_2_l_10" n="N011"/>selves <hi style="text-decoration: underline;"><hi style="text-decoration: underline;">not</hi> to something which could be grasped in</hi>
               <lb facs="#facs_2_l_11" n="N012"/>any other way, but to a level of being which appears
               <lb facs="#facs_2_l_12" n="N013"/><hi style="text-decoration: underline;">in the perceived material</hi>. The corresponding <hi style="text-decoration: underline;">opening</hi>
               <lb facs="#facs_2_l_13" n="N014"/>of the soul for the perception <hi style="text-decoration: underline;">in this level.</hi>
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               <lb facs="#facs_3_l" n="N001"/><hi style="text-decoration: underline;">4</hi>
               <lb facs="#facs_3_l_1" n="N002"/><hi style="text-decoration: underline;"><rs type="keyword" ref="#Religion">Religious</rs> and <rs type="keyword" ref="#Arts">artistic <rs type="keyword" ref="#Symbol"/></rs><rs type="keyword" ref="#Symbol">symbols</rs>.</hi>
               <lb facs="#facs_3_l_2" n="N003"/>1. The paints of identity (the marks of <rs type="keyword" ref="#Symbol">sym-
               <lb break="no" facs="#facs_3_l_3" n="N004"/>bols </rs>generally) [4a]
               <lb facs="#facs_3_l_4" n="N005"/>2. The paints of difference
               <lb facs="#facs_3_l_5" n="N006"/>a] objectively: The <hi style="text-decoration: underline;">dimension of the ultimate </hi>
               <lb facs="#facs_3_l_6" n="N007"/><hi style="text-decoration: underline;">in <rs type="keyword" ref="#Religion">religion</rs></hi>, the <hi style="text-decoration: underline;">dimension of meaning universally</hi>
               <lb facs="#facs_3_l_7" n="N008"/><hi style="text-decoration: underline;">in <rs type="keyword" ref="#Arts">art</rs>.</hi> _ This includes the ultimate, {but} not
               <lb facs="#facs_3_l_8" n="N009"/>directly, <hi>b]</hi> but only through the medium of the <hi style="text-decoration: underline;">in-</hi>
               <lb facs="#facs_3_l_9" n="N010"/><hi style="text-decoration: underline;">dependent <rs type="keyword" ref="#Religion">religious</rs> <rs type="keyword" ref="#Symbol">symbols</rs></hi>. The <hi style="text-decoration: underline;">double</hi> symbolisation.
               <lb facs="#facs_3_l_10" n="N011"/>b] subjectively. The<hi style="text-decoration: underline;"> unconditionally obliging </hi>
               <lb facs="#facs_3_l_11" n="N012"/>character and the conditionally {elevating} <hi style="text-decoration: underline;">inspiring character.</hi> Determi-
               <lb facs="#facs_3_l_12" n="N013"/>nation of the total life. The different character of inspiration.
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               <lb facs="#facs_4_l" n="N001"/><hi style="text-decoration: underline;">5</hi>
               <lb facs="#facs_4_l_1" n="N002"/>c] The two possible attitudes towards <rs type="keyword" ref="#Religion">religious</rs>
               <lb facs="#facs_4_l_2" n="N003"/><rs type="keyword" ref="#Arts">art</rs>, the <hi style="text-decoration: underline;">devotional</hi> and the <hi style="text-decoration: underline;">aesthetic.</hi> (Concerts, pictures
               <lb facs="#facs_4_l_3" n="N004"/>in the Church)
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               <lb facs="#facs_5_l_10" n="N001"/>[Note: The entire page is crossed out.]
               <lb facs="#facs_5_l" n="N002"/><hi style="text-decoration: underline;">{7</hi>
               <lb facs="#facs_5_l_1" n="N003"/><hi style="text-decoration: underline;">III. Some advices</hi>
               <lb facs="#facs_5_l_2" n="N004"/>1. If influence, resist the combination of <rs type="keyword" ref="#Religion">religious</rs>
               <lb facs="#facs_5_l_3" n="N005"/>subject-matter with <rs type="keyword" ref="#Naturalism">naturalistic</rs> style in liturgical
               <lb facs="#facs_5_l_4" n="N006"/>context.
               <lb facs="#facs_5_l_5" n="N007"/>2. If <rs type="keyword" ref="#Religion">religious</rs> subject matter in {perfect a} <rs type="keyword" ref="#Arts">artistic</rs>
               <lb facs="#facs_5_l_6" n="N008"/>form show the need to distinguish the two attitudes
               <lb facs="#facs_5_l_7" n="N009"/>3. Center on <rs type="keyword" ref="#Secular">secular <rs type="keyword" ref="#Arts"/></rs><rs type="keyword" ref="#Arts">art</rs> and its depth dimension.
               <lb facs="#facs_5_l_8" n="N010"/>This will be mostly analysis of the human situation, to
               <lb facs="#facs_5_l_9" n="N011"/>which the Christian <rs type="keyword" ref="#Symbol">symbols</rs> give the answer.} 
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