Zusatzmaterial I Box 38, 39, 46

Fife stylistic elements in which ultimate {I.}Reality is manifest. Derived from religious types I. The sacramental basis of all religious types and the {magic} numinous realistic element in a style. (Ultimate Reality appearing as mysterious power in the particular thing) II. The mystical penetration of or elevation {of} over all particular ob- jects and the abstract - cosmic element in a style (Ulti- mate Reality appearing as the removal of the particular thing) III. The prophetic criticism of all particular objects and the critical - realistic element in a style (Ulti- mate Reality appearing as the revelation of the ugliness of {the rea} encountered reality)

IV. The humanist anticipation of the essential fulfilment of the particular things and the classic - idealistic element in a style (Ultimate Reality appearing as perfect actuali- sation of all potentialities.) V. The {Spiritual dynamic} {spiritual type} {Spiritual} Spirito-dynamic type of religious experience and the expressionistic element in a style (Ultimate reality {appearing as the shaking and} breaking into the particular things, shaking and {elevat} {t}driving them)

Polarities: {Naturalism} of predominance. The ultimate within the objectively encountered reality (realism) The ultimate within the subjectively encountered (impressionism) reality The ultimate within the {encountered} essence of encountered reality (idealism) The ultimate breaking through the encountered reality (essence and existence) (expressionism and surrealism) The ultimate in the sub - surface - elements of reality (non-objective)

I. Religious danger: idolatry Artistic danger: symbolistic misuse of things II. Religious danger: Emptiness Artistic danger: without expression {in th} III. Religious danger: Negativity of criticism Artistic danger: Uglification of things IV. Religious danger: Immanentism. Artistic danger: Beautification of things. V. Religious danger: Subjectivism Artistic danger: Loss of pictorial form.