1905/6=Fauvism - Monet^a, V. Gogh^b, Gauguin^c, Munch^d, Cusa Colour in late {exp} impressionism (Monet^f) and Nolde^g. Ecstasy under refinement Mythical depth of nature. Then the mythical material itself Ecstasy against individualisation. Colour and vision Maria Agyptiaca ⁱ(whore and saint) Art of the Primitives as means [Paula Modersohn^j - Worpswede] [Christian Rohlfs^k] [Church-Window-similarity] Kirchner^l, Heckel^m, Schmidt-Rottlufⁿ: The "Bridge" / African influence Graphic tendency + bright colour. Contour. Threedimensional by planes Restlessness / Red and yellow / nothing beautifying Heckel^o: Splitting up of surface. / Fight between picture form and expression. Hieroglyphs of eroticism. Hallucinatory Anti-reproductive picture Encounter

Barlach^p, power of the mythical, a world of pilgrims created by himself (Southern Russia) round {pi} blocks. Longing for miracles, begging. Archaism The blue Rider and Pechstein^r. (conventional and successful) Beckmann^s. Heroic dreams, big format. Experience of war. Considering wild presence