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               <lb facs="#facs_2_tr_1_tl_1" n="N001"/><hi style="text-decoration: underline;">Religion and Culture </hi>(possible outline II)
               <lb facs="#facs_2_tr_1_tl_4" n="N002"/><hi style="text-decoration: underline;">First Lecture:</hi>
               <lb facs="#facs_2_tr_1_tl_5" n="N003"/><hi style="text-decoration: underline;">I. The Problem</hi>
               <lb facs="#facs_2_tr_1_tl_6" n="N004"/>1. The rise of the problem out of actual con-
               <lb facs="#facs_2_tr_1_tl_7" n="N005"/>flicts, both in West and East. At the same time the mu-
               <lb facs="#facs_2_tr_1_tl_8" n="N006"/>tual dependence as basis.
               <lb facs="#facs_2_tr_1_tl_9" n="N007"/>[* p. 5]
               <lb facs="#facs_2_tr_1_tl_10" n="N008"/>2. Examples of conflicts: always <hi style="text-decoration: underline;">because</hi> of interdependence.
               <lb facs="#facs_2_tr_1_tl_11" n="N009"/>a] Most <hi style="text-decoration: underline;">embracing</hi>: <rs type="keyword" ref="#Politics">Political</rs> conflicts. (Church – State in
               <lb facs="#facs_2_tr_1_tl_12" n="N010"/>early and medieval and totalitarian Europe; Indian Buddhism;
               <lb facs="#facs_2_tr_1_tl_13" n="N011"/>Japanese persecution of Christianity, state Shintoism and occu-
               <lb facs="#facs_2_tr_1_tl_14" n="N012"/>pation). The secularisation of the state and the indirect influence.)
               <lb facs="#facs_2_tr_1_tl_15" n="N013"/>b] Most <hi style="text-decoration: underline;">conspicuous</hi>: <rs type="keyword" ref="#Science">Science</rs> and <rs type="keyword" ref="#Religion">religion</rs>. The three
               <lb facs="#facs_2_tr_1_tl_16" n="N014"/>great conflicts in Western history. The undercutting of re-
               <lb facs="#facs_2_tr_1_tl_18" n="N015"/>ligion generally even in the East. The secularisation of truth.
               <lb facs="#facs_2_tr_1_tl_19" n="N016"/>and the usurpation of the concept by natural science , {and its}
               <lb facs="#facs_2_tr_1_tl_20" n="N017"/>{analogies} as pattern.
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               <lb facs="#facs_3_l_2" n="N001"/><hi style="text-decoration: underline;">2</hi>
               <lb facs="#facs_3_l" n="N002"/>[p. 6] 
               <lb facs="#facs_3_tr_1_tl_2" n="N003"/>c] Most <hi style="text-decoration: underline;">effective</hi>: <rs type="keyword" ref="#Technics">Technology</rs> and <rs type="keyword" ref="#Religion">religion</rs> (the early bondage of techniques). The vic-
               <lb facs="#facs_3_tr_1_tl_3" n="N004"/>tory of the horizontal dimension over the vertical. Means
               <lb facs="#facs_3_tr_1_tl_4" n="N005"/>swallowing an end. The <rs type="keyword" ref="#Secularisation">secularisation</rs> of interest. (of eros and passion)
               <lb facs="#facs_3_tr_1_tl_7" n="N006"/>d] Most <hi style="text-decoration: underline;">fundamental</hi>: <rs type="keyword" ref="#Education">Education </rs>and religion (education formerly = religious education). The
               <lb facs="#facs_3_tr_1_tl_9" n="N007"/>techniques of e-ducation and the loss of in-ducation. (indoctrination as substitute)
               <lb facs="#facs_3_tr_1_tl_10" n="N008"/>The <rs type="keyword" ref="#Secularisation">secularisation</rs> of {humanity} the ideal of man
               <lb facs="#facs_3_tr_1_tl_11" n="N009"/>e] Most <hi style="text-decoration: underline;">existential</hi>: <rs type="keyword" ref="#Social_Relations">Social relation</rs> and religion.
               <lb facs="#facs_3_tr_1_tl_13" n="N010"/>The replacement of communal eros by societal purpose. The <rs type="keyword" ref="#Secularisation">secularisation</rs> of
               <lb facs="#facs_3_tr_1_tl_15" n="N011"/>{community, family, sex.} all social relations (formerly the divine law)
               <lb facs="#facs_3_tr_1_tl_16" n="N012"/>f] Most <hi style="text-decoration: underline;">revealing</hi>: <rs type="keyword" ref="#Arts">Art</rs> and religion. Religious
               <lb facs="#facs_3_tr_1_tl_17" n="N013"/>or quasi-religious suppression of artistic antonomy. The <rs type="keyword" ref="#Secularisation">secu-
               <lb break="no" facs="#facs_3_tr_1_tl_18" n="N014"/>larisation</rs> of art and the revolt against it. The ambi-
               <lb facs="#facs_3_tr_1_tl_19" n="N015"/>guity of recent art: antireligious and truly religious.
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               <lb facs="#facs_4_l" n="N001"/>3
               <lb facs="#facs_4_tr_1_tl_2" n="N002"/><hi style="text-decoration: underline;">II. The Concepts</hi>
               <lb facs="#facs_4_tr_1_tl_3" n="N003"/>1. Are the conflicts essential and therefore un-
               <lb facs="#facs_4_tr_1_tl_4" n="N004"/>avoidable, or are they consequences of existential dis-
               <lb facs="#facs_4_tr_1_tl_5" n="N005"/>tortions, both of religion and culture, and therefore un-
               <lb facs="#facs_4_tr_1_tl_6" n="N006"/>necessary? – The answer requests a definition of the
               <lb facs="#facs_4_tr_1_tl_7" n="N007"/>two concepts.
               <lb facs="#facs_4_tr_1_tl_8" n="N008"/>a] <rs type="keyword" ref="#Culture">Culture</rs>: The whole of transforming creativity
               <lb facs="#facs_4_tr_1_tl_9" n="N009"/>of man's spirit, receiving transformation and reacting
               <lb facs="#facs_4_tr_1_tl_10" n="N010"/>transformation: Language, science, art and technical, person-
               <lb facs="#facs_4_tr_1_tl_11" n="N011"/>forming, society-forming reaction. – In each act subject-matter,
               <lb facs="#facs_4_tr_1_tl_12" n="N012"/>cultural form and style. – The freedom of subject-matter, the
               <lb facs="#facs_4_tr_1_tl_13" n="N013"/>obediance to the form, the growth of the style. – Interference
               <lb facs="#facs_4_tr_1_tl_14" n="N014"/>destroys.
               <lb facs="#facs_4_tr_1_tl_15" n="N015"/>b] <rs type="keyword" ref="#Religion">Religion</rs>: the selftranscendence of life in man's
               <lb facs="#facs_4_tr_1_tl_16" n="N016"/>spirit; transcending his finite being towards the in-
               <lb facs="#facs_4_tr_1_tl_17" n="N017"/>finite, his conditioned being towards the unconditional. But this
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               <lb facs="#facs_5_l" n="N001"/><hi style="text-decoration: underline;">4</hi>
               <lb facs="#facs_5_tr_1_tl_1" n="N002"/>movement is the answer to the opposite movement, the
               <lb facs="#facs_5_tr_1_tl_2" n="N003"/>being grasped by something unconditional, ultimate. And
               <lb facs="#facs_5_tr_1_tl_3" n="N004"/>both movements united: <rs type="keyword" ref="#Ultimate_concern">ultimate concern</rs>. – – This is
               <lb facs="#facs_5_tr_1_tl_4" n="N005"/>the core of what <rs type="keyword" ref="#Religion">religion</rs> is. But this is expressed in
               <lb facs="#facs_5_tr_1_tl_5" n="N006"/>what ordinarily is called religion, certain symbols etc. The
               <lb facs="#facs_5_tr_1_tl_6" n="N007"/>larger and the narrower concept of religion. All conflicts
               <lb facs="#facs_5_tr_1_tl_7" n="N008"/>are based on the narrower concept of religion, because re-
               <lb facs="#facs_5_tr_1_tl_8" n="N009"/>ligion becomes through its expressions itself a part of
               <lb facs="#facs_5_tr_1_tl_9" n="N010"/>culture; and this particular culture can conflict
               <lb facs="#facs_5_tr_1_tl_10" n="N011"/>with the other parts of culture. But religion in the larger
               <lb facs="#facs_5_tr_1_tl_11" n="N012"/>sense cannot, because it is in all culture. –
               <lb facs="#facs_5_tr_1_tl_12" n="N013"/>2. The double task, therefore, is to show that
               <lb facs="#facs_5_tr_1_tl_13" n="N014"/>in every culture there is the religious dimension, an open or hidden
               <lb facs="#facs_5_tr_1_tl_14" n="N015"/><rs type="keyword" ref="#Ultimate_concern">ultimate concern</rs> and that every concrete religion has a cultu-
               <lb facs="#facs_5_tr_1_tl_15" n="N016"/>ral form {and} which is not ultimate but preliminary like every
               <lb facs="#facs_5_tr_1_tl_16" n="N017"/>culture. This guaranties the autonomy of the cultural form and the
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               <lb facs="#facs_6_l" n="N001"/><hi style="text-decoration: underline;">5</hi>
               <lb facs="#facs_6_tr_1_tl_1" n="N002"/>presence of the religious dimension.
               <lb facs="#facs_6_tr_1_tl_2" n="N003"/>3*. As examples I want to give:
               <lb facs="#facs_6_tr_1_tl_3" n="N004"/>a] <rs type="keyword" ref="#Religion">Religion</rs> and <rs type="keyword" ref="#Science">science</rs>
               <lb facs="#facs_6_tr_1_tl_4" n="N005"/>b] <rs type="keyword" ref="#Religion">Religion</rs> and the <rs type="keyword" ref="#Technics">technological</rs> Culture.
               <lb facs="#facs_6_tr_1_tl_6" n="N006"/><hi style="text-decoration: underline;">III Religion and <rs type="keyword" ref="#Science">Science</rs></hi>
               <lb facs="#facs_6_tr_1_tl_7" n="N007"/>1. The meaning of science {and the scientific [...] task}
               <lb facs="#facs_6_tr_1_tl_9" n="N008"/>2. The {indiv} particular sciences.
               <lb facs="#facs_6_tr_1_tl_10" n="N009"/>a] natural sciences
               <lb facs="#facs_6_tr_1_tl_11" n="N010"/>b] doctrine of man and psychology
               <lb facs="#facs_6_tr_1_tl_12" n="N011"/>c] historical sciences
               <lb facs="#facs_6_tr_1_tl_13" n="N012"/>d] philosophy.
            </p>
            <pb facs="#facs_7" n="TLx-0034-5.jpg" xml:id="img_0007"/>
            <p facs="#facs_7_r">
               <lb facs="#facs_7_l_1" n="N001"/>
               <lb facs="#facs_7_l" n="N002"/>
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            <p facs="#facs_7_tr_1">
               <lb facs="#facs_7_l_2" n="N001"/><hi style="text-decoration: underline;">6</hi>
               <lb facs="#facs_7_tr_1_tl_1" n="N002"/><hi style="text-decoration: underline;">IV. <rs type="keyword" ref="#Religion">Religion</rs> and <rs type="keyword" ref="#Technics">technical </rs>culture.</hi>
               <lb facs="#facs_7_tr_1_tl_3" n="N003"/>1. The liberating power of technical culture.
               <lb facs="#facs_7_tr_1_tl_4" n="N004"/>2. Its enslaving power.
               <lb facs="#facs_7_tr_1_tl_5" n="N005"/>3. Its dehumanizing power.
            </p>
         </div>
      </body>
   </text>
</TEI>