[360] 38) SUTHERLAND^a, CRUCIFIXION--This is the last picture, by an American painter. You see the similarity to the Grünewald in many respects. It is with modern means an attempt to produce the same powerful impression which we have in this Grünewald picture. I only want to tell you at the end of this section, that this is not a matter of mere subjectivity, but that in this development of problems and of pictures which I have given you, the reality of our own life, namely the reality of our historical existence today, is expressed in example and counter-example. And for this reason I was glad that I could give you this very much concrete illustration for the abstract concepts I gave you in this whole lecture. Now Thursday we will then start with an analysis of a kind which CAN produce styles like that on the second level, and like this [Sutherland] on the fourth level.